Wednesday, 28 November 2012

Paulette's Story


The first thing I asked myself when I sat down to write this blog was: When did I first become a writer? I was sure that this was where I needed to start to give inspiration to all those readers, writers and people thinking about submitting to our publishing house. To tell the truth, there are two parts to the answer. When I became a writer is a mixture of blurred lines and events in my life that all led me to want to creatively form words and ideas on a page. When I realised I was a writer is the black and white part and I’m going to share that with you now so that you don’t spend the next few years wondering whether you are or you aren’t. My tutor at the University of Canterbury said it plainly. If you write, you are a writer. Isn’t it true that if you knit, you are a knitter? If you ride a bike, you are a cyclist, and so it is if you write that you are, indeed, a writer. Start thinking of yourself as one.

Taking that first step and putting your work out there for others to share is probably one of the hardest, but most crucial steps you can make as a writer. Start with baby steps. Your friends, your family, they’ll all be very keen when they find out you’ve finished a work of art and they’ll all want to see it. They’re your support. They’ll clap you on the back and say ‘well done, we’re proud of you’ and ‘wow, you’ve written a book!’ Yep, this is important. But then you need to step onto the next rung up the ladder. Now you need to reach those you don’t know. Because people you are close to will always support you, but what you need to learn is how to take constructive criticism. You need to learn to take a step back from your precious work of art and be objective about it. It’s not personal.

For me, this place was an online writing community called Writing.com. For you it might be the same, or another online location. Or it might be a local writers’ group. But I would strongly suggest you give this intermediate step a thorough visit before you even think about submitting your work to a Publisher. The one thing I learned early on was that Publishers will hardly ever give you feedback. They will, very quickly, tell you ‘thanks but no thanks’, and who learns from that? You want someone to tell you how to improve your work. You want to grow as a writer, not be beaten down consistently, which is in no way constructive to you or your craft. Get your work critiqued.

Have you ever watched the pop talent shows, like American Idol, when there’s a nice looking young person standing on the stage in front of the judges saying ‘all my family and friends tell me I can sing like an angel’? Then they proceed to belt out notes that have all the local dogs howling and covering their ears? Don’t be one of those people with your writing. Surround yourself with people who will tell you what to improve. Certainly, DO NOT be precious about it when someone offers you some way of improving your story. Also, learn to tell the difference between good advice and opinion. Writers have different styles and they all do things their own way. They might offer you advice that you don’t like, but at least taste it. Roll it around on your tongue and see whether it’s something you think you would try again. If you really don’t agree with it, spit it out. Or at least put it to one side. Squirrel it away in some far corner where you might pull it out to examine it again at some point further down the line. You never know, it might be useful one day. As writers, we’re sponges, so this should be easy to adapt to. Be open-minded.

Prior to joining Writing.com, I sent my manuscript to a few local publishers, all of whom rejected my novel for publication. So I put it to one side, became actively involved in the online writing community, and began submitting short stories to their online competitions. I also joined a romance critique group and started putting up chapters of my novel for review. This was a huge eye-opener and a steep learning curve. Reading and critiquing other writers’ work, while having my own pulled apart for analysis, was the best thing I ever could have done.

Soon I had a contract for publication of my first short story. I clearly remember opening the email, seeing the contract attached, and crying. I was so happy. I was going to be published!

The process of seeing your work up there in lights, going through the process of creating a cover – wow, a real cover, for YOUR BOOK, is amazing. All of a sudden your characters become real. You become vindicated as a writer. The essence of this creative process with a publisher – someone who believes in you and likes your work, is the reason why I joined the publishing business. I wanted to give the chance that someone had given to me, back to others.

I won’t say the job is easy. I won’t say it’s going to make me rich, although someday I’d like to think it might start to pay me back for all the hours I’ve put into it. I won’t even say I’m good at what I do. As a writer, I’m still growing. As an editor, it’s a constant learning curve because books and literature are changing all the time, and our language continues to grow, becoming internationally mingled, blurred and updated with the modern world. It’s never dull.

As a Publisher, Bluewood Publishing is still young. We’ve been here three years now and we’re still learning. But I think that’s the key. We’re growing and we’re still here. We still want to be here.

When I get asked the question ‘Do you love your job?’ I always, without hesitation, reply ‘I wouldn’t be doing anything else’. This is my home.

So, please join us. Whether you’re a writer, or an avid reader, we’d love you to have you along on our journey.

Friday, 14 September 2012

Welcome to the Bluewood Publishing Blog



We’d like to introduce ourselves, and we hope entertain you, inform you, and maybe, just maybe, get you to be interested enough to take a longer look.

We formed Bluewood Publishing in 2009 because we passionately believed there was a better way to work with authors to produce quality genre fiction within a reasonable timescale and for a reasonable return for all. After three years our core goal hasn’t changed from that.

To this end, we’ve assembled a talented team who cover all aspects of taking an author’s work and turning it into a gleaming jewel of a book. The process is pretty straight-forward, but many authors find it daunting.

The first step, once you’ve written your manuscript and polished it to within an inch of its life, is to pluck up the nerve to submit it to a publisher. For many authors, and would-be authors, sending off something to a faceless corporate body is daunting to say the least. Many authors never find the courage to take this step, and even more find they do not have the hardened, thickened skin they need to surmount the frustration the repeated rejection slips bring.

We try to make this step as painless for authors as we can, but make no mistake, like most high quality publishers, we reject far more manuscripts than we contract. If you read down our submissions guidelines, you will find our acquisitions editors, and each of them specialise in between one and four genres. There is also more than one acquisitions editor for each genre – and you get to choose which one you want to send your manuscript to. Maybe it’s the look in their eyes, or the smile on their face, but it’s your choice, and in terms of that manuscript, you know who is going to be the first person at Bluewood to see it, and to review it.

If they like the requested sample, then you’ll be asked for the full manuscript. Less than a quarter of would-be books will reach this stage, so if it does, congratulations and you deserve a pat on the back. Now you need the most important quality of all – patience. It takes time for the Acquisitions Editor to read the whole manuscript, and decide if it’s something they want to pass up the chain.

If the Acquisitions Editor is satisfied that the book is publishable, then they will pass it on to the two of us, myself (David) and Paulette, to appraise it and make a decision as to its viability. Up to press, the book has been reviewed purely on its quality – does it read well, does the story flow, is the point of view correct, is the story one that grips and leads you on, leave you wanting to read more? Now other factors come into play. Do we feel the book is marketable, does it fit into our portfolio, is it the right length, does it start with a bang…or does it sag in the middle? We even start looking at the author… Is the author marketable?

There are three outcomes at this point. The one you, the author, wants, a contract. The one you don’t want, the rejection, or the middle, a “we’re interested but it needs some rewrites. Please revise and resubmit.” Let me assure you, if you get the latter, look at it in a positive light – you’ve already beaten off over 95% of the competition to get to this point!

The real work starts from the moment we get a signed contract back. From dealing with just one Acquisitions Editor, you now find yourself dealing with several different people, all working to make your book a reality. There’s the main editor for the book, who will be sending you an edited copy of the manuscript and, where necessary, asking questions and e-mailing you at all times of the day and night! (Remember, we are based on opposite sides of the globe, our directors and our staff are based in the UK, New Zealand and the US – pretty much it’s daytime somewhere for some member of our staff! Of course, if you don’t deal with the edits promptly there’s the increasingly nasty chase e-mails, but you won’t get those – will you? Then there’s the cover design process, either working directly with the cover artist, or with a staff member if that’s the way the cover artist prefers it. Last but not least, there’s the marketing guru – you’ll be facing the formidable Deborah Riley-Magnus (she’s a pussy cat really) who’ll be getting you tuned up and geared up to market your book as the release date draws nearer. You are of course on Facebook, aren’t you? On Twitter, with, like, thousands of followers? Google Plus? Goodreads? LinkedIn? You’ve made contact with your local Writing groups and Clubs, even if you’re not a member? How about cross-marketing opportunities – have you thought about them? Have you got your publicity campaign lined up? Local radio? Local TV, even if it’s cable? Press contacts? Reviewers list?

And you thought the hard work was finished when you hit send on the original submission e-mail? Never mind, this is the real world, and over the next few weeks, we’ll talk in detail about how to help yourself be prepared for the hard work, now it’s starting.
So are you interested enough?


David Bowman
Director, Bluewood Publishing Ltd
Author, Cover Artist, Editor and Webmaster.